Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Jjean-Marc nattier
The Artist and his Family

ID: 26905

Jjean-Marc nattier The Artist and his Family
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Jjean-Marc nattier The Artist and his Family


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Mademoiselle de Clermont at her Bath,Attended by Slaves | Portrait of Marie Adelaide of France | Portrait of Mathilde de Canisy, Marquise d'Antin | Anne Henriette of France represented as Flora | Portrait of Louise Henriette Gabrielle de Lorraine Princesse de Turenne, Duchess of Bouillon |
Related Artists:
Georges Clairin
French Painter, 1843-1919 .French painter. In 1861 he entered the Ecole des Beaux-Arts in Paris, where he studied with Fran?ois Picot and Isidore Pils. He sent the first of many contributions to the Salon in 1866, an Episode of a Conscript of 1813 . By 1868 he had joined the painter Henri Regnault in a visit to Spain, where he was evidently impressed by Moorish architecture and influenced by the Spanish Orientalist painter Mariano Fortuny y Marsal; Clairin's Volunteers of Liberty: Episode from the Spanish Revolution was exhibited at the Salon of 1869
William Barraud
British 19th.
Jan Miense Molenaer
Dutch Baroque Era Painter, ca.1610-1668 was a Dutch genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals. Molenaer achieved a style close to Hals early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet ((Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter's Gospel set in a Dutch Tavern in, The Denying of Peter (Museum of Fine Arts, Budapest)






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